Category Archives: Art & Culture

27 April 2014: World Pinhole Photography Day

“Mauerblicke looking West” - image made with pinhole camera through a hole in the Berlin Wall, Germany
“Mauerblicke looking West” – image made with pinhole camera through a hole in the Berlin Wall, Germany

Sunday, April 27 is World Pinhole Photography Day. And, here in northern New Mexico, we are fortunate to have the world’s largest collection of pinhole photography and its associated paraphernalia.

In honor of the annual event the New Mexico History Museum is hosting Poetics of Light, an exhibition of the collection’s images from pinhole enthusiasts around the world.  Poetics of Light will open on the celebratory Day itself and run for about eleven months. (http://www.nmhistorymuseum.org/pinhole/)

The collection of 6000 photographs, 200 cameras and 200 books is the result of the generosity of Eric Renner and Nancy Spencer, Co-Directors of Pinhole Resource.  Both artists’ pinhole and zone plate photographs can be viewed on their sites at:

http://nancyspencerphoto.com/home.html
http://ericrennerphoto.com/home.html

There are many web sites providing directions for making your own pinhole camera.  Or, you can buy a camera for as little as $10 or as much as several hundred.  Check out both directions and ready-mades on the internet.

Herewith, a couple of samples (courtesy of the New Mexico History Museum) to whet your appetite for pinhole photography – and remember to get out there and create your own images this Sunday!

 

Starfish in Tidal Pool
Starfish in Tidal Pool

econtent.unm.edu

 

Storage Yore

Vivian Maier self-portrait, 1955 (Catalog VM1955W03420-05-MC)

Vivian Maier self-portrait, 1955 (Catalog VM1955W03420-05-MC)

Often, when we read ‘hyperbole’ about a person, place or thing, we turn to it only to find that the hype is just that: hype. There are those few times, however, when all the fuss turns out to be revelatory and transformational. Such is the case with the 2007 discovery, in a storage contents sale, of the photography of American-born Vivian Maier (February 1, 1926 – April 21, 2009).

Discovery is not too strong a word as her work was unknown to even the families for whom she worked as a nanny.  She never displayed, much less exhibited, the “collection of 100,000 to 150,000 negatives, more than 3,000 prints, hundreds of rolls of film, home movies, audio tape interviews…” that have come to light. (See http://www.vivianmaier.com and the 2013 film, Finding Vivian Maier.) The bulk of the photos seem to be riveting street images and they are hard to  pass by. Viewing them is a lot like eating ice cream: a spoonful makes you crave more… lots more.

According to the children she cared for she  carried her camera wherever she went. This is easy to believe from the many great images of the world around her. (She must have been very good at what we now label “multi-tasking”; watching the children in her care and snapping fleeting moments is quite a skill.) Fortunately for the world of art we are seeing her work at last. Its clarity, honesty and personal vision has caught the imagination of those in a position to let the rest of us see more. In the few short years since the discovery of her black & white negatives there have been numerous exhibitions at galleries and museums around the world.

Vivian Maier’s hidden obsession with making pictures ought not be confused with that of the normal hobbyist. She was exacting in her idea of what her finished products should look like, much as any artist. She would often send her negatives out to a developer, even though she had set up a dark room in her bathroom, and would ask for an image to be reprinted if it did not meet the critical demands of her eye.  Also, as the photos below make clear, she, like the best street shooters, traveled to neighborhoods many Americans of the 1950s and 1960s would never have visited except during their sit-down breakfast or dinner with the daily paper.

Maxwell Street, Chicago 1962 (Catalog VM1962W01099-06-MC)
Maxwell Street, Chicago 1962 (Catalog VM1962W01099-06-MC)

An undated photo (Catalog VM19XXW00573-08-MC)

An undated photo (Catalog VM19XXW00573-08-MC)

But, she clearly planned her exposure possibilities, too. The web site has a couple of her ‘sidewalk’ photos of celebrities: Kirk Douglas at the premiere of the movie Spartacus, Chicago, 13 October 1960 (Catalog VM1960W02526-07-MC), Frank Sinatra, Emmet Kelly, etc.

Born in New York, Maier was raised in France before returning to the United States (and then going back to France and, finally, returning to the U.S. in 1949 to live for the rest of her life.) Altho she is described as super secretive and closeted, she managed to take many vacations around the world. There are stirring images from India, Egypt, France, Yemen, Thailand and other locations. The photo below, from Saigon, is somewhat uncharacteristic in that her subject is smiling.

Saigon 1959 (Catalog VM1959W02685-12-MC)
Saigon 1959 (Catalog VM1959W02685-12-MC)

Let’s all shout out a grand Thank You to John Maloof in Chicago for buying that $380 carton of negatives in 2007 — and then spending about $70,000 to track down and buy cartons from others who had purchased her work at that original sale!

R.I.P. Peter Matthiessen

The First Issue of The Paris Review, Spring 1953.

The first issue of the Paris Review, Spring 1953, published a couple months after I was born.

The only writer to win the U.S. National Book Award in the fiction AND nonfiction categories, Peter Matthiessen, has died of leukemia at his home on Long Island.

Among the acts in his storied life was co-founding the Paris Review, a literary magazine that, along with tons of publishing firsts has maintained a series of interviews “Writers at Work,” which Joe David Bellamy, in his book, Literary Luxuries has called, “one of the single most persistent acts of cultural conservation in the history of the world.”

Peter Matthiessen was, in many ways, the most normal of ‘famous’ men. As I write this I can look at two full shelves of books authored by Mr. Matthiessen, many of them signed when I met him for the first time at the Philadelphia Academy of Natural Sciences in 1983. When one of my colleagues, who did not bring his books along, asked if he might send them to Long Island to be signed, Matthiessen said “sure” and wrote out his home address on a slip of paper. After the books were sent and signed they were mailed back to Philadelphia. Accompanying them was a note saying the wife was a bit unhappy that their home address had been given out to a stranger and could that original “slip of paper please be torn up and thrown away?” How many famous names can you think of who would kindly write out their home address for you? (The handwritten piece of paper was duly tossed but, today, would be a nice memento stapled to that returned note!)

Peter Matthiessen was, also, the most observant, clear-sighted and questioning of men; traits enhanced, no doubt, by his Zen practice. He always thought of himself as a fiction writer first and foremost, continually grappling with many of the central concerns of our existence. Additionally, he brought this focus to his great non-fiction, the works  I treasure most.  He seemed to think of these books, however, as his trade-craft, workman-like, earth-bound output with fiction being his artisanal craft on a higher plane that might, in fact, break free of the plain and soar.

And, now, today, he has joined that body of marvelous work.

R.I.P. Peter Mathiessen (22 May 1927 – 5 April 2014).

R.I.P. Simon Hoggart

We  lost one of the planets most entertaining writers yesterday. Simon Hoggart (26 May 1946 − 5 January 2014), Parliamentary sketch writer for The Guardian Newspaper and wine columnist for The Spectator. He might well have become a tennis star but for serious injuries that led him to consider journalism. Tennis’ loss was the written word’s gain (and broadcasting’s, on both sides of the Pond, as well.) Always writing, he published about twenty books, the last two after being diagnosed with terminal pancreatic cancer in 2010.
Hoggart’s insights and witticisms are legion. Herewith, a few:

Watching John Major run the country is like watching Edward Scissorhands make balloon animals.

I’m just back from a week in France. Naturally I took a case of non-French wine over on the ferry so as to have something decent to drink. The French are terrifically complacent about their wine, believing that the worst they produce is better than the best from anywhere else. They are wrong, and there are few sights more depressing than the parade of tired, ill-kept, dreary bottles on the shelves of French supermarkets. The humblest British high street off- licence has wines from a dozen countries, and frequently twice that; in France it is hard to find wine from outside the region, never mind abroad. It may cost i1 or so per bottle less, but that is no compensation for Chablis like acidulated chalk dust, or clarets which have finesse and backbone but no discernible taste. I know many older drinkers like only French wines, but this is force of habit; just as men over 50 tend to prefer stockings to tights, it’s a matter of how you started. — 19 April 1996, Diary.

I loved his testimony (before Parliament’s Public Administration Select Committee) in 2009 about the bleaching effects of politicians’ jargon when they seek to white-wash political acts. He began the hearings by re-stating one of Churchill’s war-time phrases as if it were re-written by a modern government wonk, turning “We will fight on the beaches” into “an ongoing programme of hostile engagement in littoral sectors.”

Gotta love it! He and his writing will be much missed.

Simon Hoggart  photograph courtesy © BBC 

This Year’s Holiday Card

This is the image for our 2013 Holiday Card. The text reads:

Darn!  Where’s that fat guy in the funny red suit when you need to make a getaway?

I think he’s behind us…    What’s that over there?    UH-oh, I did something in my pants….    God, I never get in the pictures…..
Yeh, if I squint I can see it too.  I’m going back – why did I agree to carry this baby?  I know he’s coming & I’m glad I brought my brother!
Man, you guys are crazy – what a waste of time.   I’m hiding my face in case they catch us.

Writers Lifeguard

Pay the Writer!
 

I was reading Querencia, Steve Bodio’s Blog (altho he also published a great book by that name, too), and found a video entry with a Harlan Ellison (justified) rant about paying the writer for his or her work. The original diatribe comes from the documentary about Ellison, Dreams with Sharp Teeth. I followed the link on Bodio’s page to a blog titled Writers Lifeguard. A reader wrote to the blog asking about the origin of the site’s name. The response, below, struck a chord as I hail from an Appalachian mining region; 80% of the land in my home county is owned by coal interests.

Jules Older, the blogger for Writers Lifeguard says its name is a tribute to his favorite union-organizing song,

Miner’s Lifeguard

Miner’s life is like a sailor’s.
‘Board a ship to cross the waves.
Ev’ry day his life’s in danger,
Still he ventures being brave.
Watch the rocks, they’re falling daily.
Careless miners always fail.
Keep your hand upon the dollar
And your eye upon the scale.

CHORUS:
Union miners stand together,
Heed no operator’s tale,
Keep your hand upon the dollar,
And your eye upon the scale.

You’ve been docked and docked, my boys,
You’ve been loading two to one;
What have you to show for working
Since this mining has begun?
Overalls and cans for rockers,
In your shanties, sleep on rails.
Keep your hand upon the dollar
And your eye upon the scale.

CHORUS

In conclusion, bear in memory,
Keep the password in your mind:
God provides for every nation
When in union they combine.
Stand like men and linked together,
Victory for you’ll prevail,
Keep your hand upon the dollar
And your eye upon the scale.

“Blessed are the pacemakers”

RIP: Seamus Heaney
(13 April 1939 − 30 August 2013)

Nobel Laureate Seamus Heaney, born Castledàwson, County Londonderry, was that rare writer, even rarer poet, who produced work with political content that was actually readable. It lacked the shrill, pedantic, humorless tone that so often gives such work a justifiably bad name. He was, simply, gifted in a way that made the reader nod in agreement when running across a marvelous passage that evoked truth in graceful, pleasingly patterned, numinous language (his later work) or wrested great emotion in lines of earth and torment (his earlier.) And, he had a well-developed sense of humour. A few years ago he received a pacemaker for his ailing heart. He loved saying, “blessed are the pacemakers,” and you might have had to think for a second trying to figure out whether that Irish voice had said pace or peace.

“Terraced thousands died, shaking scythes at cannon.
The hillside blushed, soaked in our broken wave.
They buried us without shroud or coffin
And in August… the barley grew up out of our grave.”
— “Requiem for the Croppies”, 1966, on the 50th anniversary of the 1916 Easter Rising. Printed in Door into The Dark, 1969.

 

“Be advised my passport’s green.
No glass of ours was ever raised
to toast the Queen.”
Untitled, written in 1982 as an objection to being included in an anthology of British poetry.

 

From The Frontier Of Writing

The tightness and the nilness round
that space 
when the car stops in the road, the troops inspect
its make and number and, as one bends his face

towards your window, you catch sight of more
on a hill beyond, eyeing with intent
down cradled guns that hold you under cover

and everything is pure interrogation
until a rifle motions and you move
with guarded unconcerned acceleration—

a little emptier, a little spent
as always by that quiver in the self,
subjugated, yes, and obedient.

So you drive on to the frontier of writing
where it happens again. The guns on tripods;
the sergeant with his on-off mike repeating

data about you, waiting for the squawk
of clearance; the marksman training down
out of the sun upon you like a hawk.

And suddenly you’re through, arraigned yet freed,
as if you’d passed from behind a waterfall
on the black current of a tarmac road

past armor-plated vehicles, out between
the posted soldiers flowing and receding
like tree shadows into the polished windscreen.

Goethe: It Depends On the Vintage

Wine rejoices the heart of man and joy is the mother of all virtues.

— Johann Wolfgang von Goethe
(28 August 1749 – 22 March 1832)

 

On a clear and beautiful day in late December 1999, wandering around the town of Malcésine on the north-east shore of Lago di Garda (Lake Garda, Italy) we happened to see a bronze plaque on a building and, as I always do, walked closer to investigate. It was one of those “a famous person slept here” signs. In this case it was for Goethe and I was delighted because the stop became a featured episode in his escape-from-official duties-journey that had been spawned by a period of mental turmoil.

Here J.W.Goethe made a drawing of the castle in Sept. 1786

Here J.W.Goethe made a drawing of the castle in Sept. 1786

Goethe’s visit to the city on September 13, 1786 was unplanned. Intending to travel by oared boat from the north end of the lake, at Torbole, to the south near Sirmione and thence to Italy’s archaeological wonders, he encountered a storm with contrary winds. Lacking sufficient manpower, the boat pulled into port at the city of Malcésine to wait it out. Always a man of industry, Goethe assembled his drawing instruments at a quiet spot on Via Castello to sketch Scaliger Castle. The plaque above commemorates the location.

Finding a man with a German accent engaged in detailed drawing of the fortress, local citizens thought he might be an Austrian spy and reported his sketching activity to authorities. Goethe recounts the story in Italian Journey, his book published many years (1816-1817) after the incident:

This evening I could have already been in Verona, but here nearby there was this majestic wonder of nature, this delightful picture called Lake of Garda, and I did not want to miss it. I was profusely rewarded for having taken the longer way.

Rowing was impossible against the strong wind, so we were forced to land at Malcesine. This is the first Venetian village on the eastern shore of the lake Garda… I want to take full advantage of this stop, especially to draw the castle beside the lake, which is a good subject…I made a sketch today when I passed in front of it.— September 12th, 1786, Malcesine, Italy.

Next day: As usual, I spent some time at the old castle which is open to all because it lacks windows and doors and has no custodian or guards. In the castle courtyard I sat in front of the tower built upon a rock. I found a cozy place to draw, sitting near a closed door three or four steps above the ground…

Goethe was brought before the local magistrate based on the suspicion he was an Austrian spy. He was saved from imprisonment, or worse, by a man familiar with Frankfurt, Goethe’s hometown. The man testified that Goethe was, indeed, German and and not Austrian. (The Habsburgs ruled much of northern Italy and there were always tensions with the independent bordering states such as Venice that controlled eastern shore areas of the lake.)

Scaliger Castle has a small museum about Lago di Garda, Goethe and Monte Baldo, the peak that towers over the town. The museum has a room dedicated to Goethe and his visit with copies of the sketches that caused all the trouble. Goethe said that it was in Malcésine that he began to write Iphigenia.

The internet has many instances of a story about Goethe that I have been unable to ferret out in an original source. All the instances of the story must have been originally copied from one source as they all read alike, word for word:

Goethe, a famous German poet, once was asked, which three things he would take to an island. He stated: Poetry, a beautiful woman and enough bottles of the world’s finest wines to survive this dry period! Then he was asked what he would leave back first, if it was allowed to take only two things to the island. And he briefly replied: The poetry! Slightly surprised, the man asked the next question: And Sir, what would you leave back if only one was allowed? And Goethe thought for a couple of minutes and answered: It depends on the vintage!

As a side note about the area, three kilometers south of the town is the village of Cassone, home to the Aril River, the world’s shortest at 175 meters long!

Ein echter deutscher Mann mag keinen Franzen leiden,
Doch ihre Weine trinkt er gern.

A true German can’t stand the French,
Yet gladly he drinks their wines.

— Goethe, “Auerbach’s Cellar”, Faust, Part 1 (1808)

The Bankrupt Vaults of Justice

“Insufficient Funds” still the by-words

The 50th anniversary of Rev. Dr. Martin Luther King’s I Have a Dream speech has arrived (and the 150th anniversary of the Emancipation Proclamation) and commentators are tripping over themselves lauding the accomplishments springing from the speech, confusing ‘black faces in high places’ with economic progress of the poorest elements of society.

Conflating improvements in segregation/integration with progress in class mobility is not a mistake Rev. Dr. King would have made and neither should we.

This speech, incidentally, is consistently rated by scholars of American history as the country’s most significant 20th century political speech. Once he got talking King deviated from the original prepared speech. Many of his most eloquent passages were extemporaneous injections from prior speeches as comparison of the filmed speech to his original, printed version reveals. This is especially true toward what was supposed to be the end of the speech when the singer Mahalia Jackson blurted out, “Tell ‘em about the dream, Martin.” After a few sentences and Mahalia’s repeated exhortation King moved his prepared lines aside. His training as a black minister came to the fore and the rest, as they say, is history. But, as all history, it is one where black and white Americans see and hear different ideas in the same narrative with identical words.

FBI assistant director William Sullivan, after the speech, noted “We must mark him now, if we have not done so before, as the most dangerous Negro of the future in this Nation from the standpoint of communism, the Negro, and national security.”

I rode my motorcycle from Philadelphia to Washington, D.C. to the 25th anniversary celebrations of the March. En route I joined a column of black bikers without knowing who they were, it was just company and a cushion of motor safety on the massively trafficked interstate. When we neared New York Avenue the column got off and, as I was going to the anniversary event, so did I. We all filed into the Mall area and parked. My companions were a biker club from Staten Island, NY. The president had been to the original March in 1963 and was returning with his club members for the 25th.  Very nice.

R.I.P. Elmore “Dutch” Leonard

To some of us, the wresting of beauty out of language is the only thing in the world that matters. – Anthony Burgess

 

I met Elmore Leonard (11 October 1925 − 20 August 2013) around 1999 and, knowing I was going to meet him, pocketed a small paperback bibliography of his works for him to sign. When I pulled it out and asked him if he would autograph it he looked at the cover, frowned and quipped, “Am I getting royalties on this?” After both of us took a close inspection of the sixty page book we determined that, no, he was not. He signed it anyway. As a reward for bringing the unknown book to his attention he also signed and gave me a sheet of his 10 Rules of Writing that he later expanded and published in 2007.

Leonard’s humorously delivered money question never bothered me, unlike that of two other writers whose books I mildly collected. Not long after meeting Leonard I went to a reading and signing of Robert Parker’s and then one with, well, a living writer best unnamed. Parker was forthright in mentioning his writing as his means of income and urged us all to buy his books. The other gent was even more forward and candid on this issue saying he could use the money and stressing that we ought to purchase his books early and often. His prominent and repeated emphasis on this aspect of the evening left a distinctly distasteful memory. It was not that I believed all writers toiled at their craft for the exalted (or unsung) glory of presenting literature before the masses, it was, rather, my perception that these authors seemed to imply they were simply slinging words that we should consume so that they might go on living in the manner to which they had become accustomed.

Fair enough, I suppose, as some folks choose to make their living as bankers, some as cowboys and some as writers. Some because they feel drawn to the work and love it, others because it’s their day job and pays the bills. Years ago I read Anthony Burgess’ You’ve Had Your Time, the second volume of his autobiography. He wrote a lot about his writing from the pressures of (forever) needing money. He churned out book after book to keep his finances afloat, not always successfully. I used to look forward, myself, to royalty checks and a good one would elevate my day while a bad one was a cause for self-criticism: why didn’t I work harder, do more, etc.?

Nowadays, I just deposit the check and move on.

Fifty Shades of Grey Matter: A Novel Approach

From “Spotted Dick” to a Toasted One

Anyone familiar with the ‘cuisine’ of England has heard of the dried fruit and steamed suet pudding “Spotted Dick”. Well, London firefighters have found another, more interesting, variation.

In an Associated Press report from London this morning “firefighters say they have freed hundreds of people with body parts trapped in household objects in the last three years, including … 79 people trapped in handcuffs… speculat[ing] that the popularity of erotic novel Fifty Shades of Grey may account for a rise in handcuffs-related emergencies.”

“Since 2010, London firefighters have treated … nine with rings stuck on their penises, and one man with his penis stuck in a toaster.”

The AP article ends with the fire brigade’s advice, “to keep the keys nearby when using handcuffs.”

It is hard to argue with common sense advice in the face of really idiotic human behaviour. Clearly, the old saw, “Don’t believe everything you read,” ought to have been expanded to include, “Oh, and don’t try everything you read, either.”

Nature Red in Tooth & Claw

Two Square Miles of the New West

I live in the New West (as in the Longmire TV series ‘west’ that has been filming in the alfalfa field down the road.) Interestingly, no one seems to have relayed this news to Mother Nature. And, as such things go, it may not be all that important anyway. It is worth pointing out, though, for those who require up to the minute briefings, that no text message, not a peep nor tweet about this development was sent to the many new-ish transplants to the region. I’m not sure who is culpable. Nevertheless, the fact is (you heard it here), the New West is as bloody as the Old.

When the church belfry was re-done some time back they discovered tons of collars and tags with names like Muffy, Spot and Max. Needless to say, there were also significant deposits of scat, bones, hair and fur. The pair of Great Horned Owls that are resident hereabouts take no prisoners — or rather, they do, but none escape to bark and meow about it. Before the dead tree by the old acequia pond toppled in a wind storm, I could drive home at night with the sun roof open and see the huge female look down at me with eyes imperious. What other animal observes one with such a superior, disdainful attitude? Actually, I anthropomorphize by writing ‘disdainful’. It is more accurate to say that I was an insignificant speck mostly beneath her concern.

Coyotes abound and a friend told me about a fellow who, while walking his Westies unleashed, had one of his precious white pups snatched by Mr. Wily and carried off to a certain doom. No children’s story of a cute domesticated doggy being taken away and raised by wild coyotes here.

Last summer we watched a coyote in the arroyo valley behind the house entice three dogs in a game of cat and mouse. The dogs, a German Shepard mix and two nondescript but sizable hounds, would chase after the playful coyote. When they tired the coyote would stop, turn around and taunt the dogs with its yipping bark into further continuing the chase. What the dogs did not know, and we could see from our bird’s eye vantage, was the rest of the coyote pack waiting, out of site, along the arroyo. It was like a ring-side seat for a PBS Nature episode. Singly, most coyotes are no match for a large dog, but working as a team, like wolves, they are masters of the hunt. An Australian cattle dog belonging to the neighbor on the next parcel was lost to them last year and one of my workmen had his great Rottweiler destroyed by a pack. The poor beast had to be put down.

I have yet to view a cougar, sometimes called mountain lions, but they’re around. A few miles away, toward Los Alamos, a guy who keeps ducks and geese was awakened by the manic sounds of his birds and went to the fenced area where they spend the night. He was dismayed to see a cougar going back over the fence with one of his ducks in its mouth. A few nights later the ruckus started again and he dashed out to see a black bear scaling the same fence, but with a goose. Drought and habitat loss, they say. And so it goes.

I have not been privileged to see one of the bobcats that prowl round about either. Definitely my loss. When we moved into this house we decided to get satellite TV instead of just staring at a blank screen. One of the features of our Spanish southwestern architecture is the ramada, an open porch roofed by thin beams, essentially an arbor. We have a nice one at the north end by the kitchen. On the section nearest a vertical wall it was thickly covered with climbing silverthorn. The planting expanded everywhere, topping out at the second story. I vividly remember the afternoon I heard a scream from the installing technician. Hurrying outside I expected to find him writhing on the ground from a fall. Instead, he was quivering saying a bobcat had jumped out of the dense greenery, shot past, leaped off the ramada onto the grounds and sped off. It was very exciting but had the unfortunate effect of dislodging the cat forever. My wife said, with little sympathy for any party, “Too bad!”

Snakes, scorpions and tarantulas are part and parcel of rural New Mexico living. I have yet to see a scorpion on the property but red racers, bull snakes and prairie rattlers are par for the course. I’ve taken Dharma, our yellow lab, to snake avoidance training to, hopefully, dodge the bullet that has plagued a neighbor: dogs dying from rattlesnake bite. Because of the nosing behavior of dogs they are most always bitten in the face. Such a bite is invariably fatal if you are not around to rush the dog to a vet for anti-venom. Even so, an unfair number succumb. Better to train the dog to avoid rattlesnakes like the plague.

Ah… plague, the Black Death, yes, it still exists, surviving quite comfortably here in the Land of Enchantment. As does hantavirus. The bacterial vector for transmission in bubonic plague is primarily the flea. It is carried on rodents like our endearing, big-eared and -eyed woodrat, more commonly called the pack rat from its habit of squirrilling away the shiny trinkets and detritus of human civilization. (They seem inordinately fond of the wiring on expensive European automobiles, frequently causing thousands of dollars of damage.) One of my good friends, a sturdy, strapping guy, may hold the world record for plague survival. He lived a week, undiagnosed, before his illness was accurately identified. Most people die a ghastly death by day four if they remain untreated.

Hantavirus in its pulmonary form appears to be spreading out from our Four Corners region. When the infected urine or feces of the Deer Mouse dries, and is aerosolized, it becomes possible to inhale the virus unknowingly. The problem is that it presents as a classic case of the flu. When left untreated it can be fatal.

The small inhabitants of our world are as noteworthy as the large — if harder to find and follow. I have watched a lizard in the back yard attack and tussle with one of the large, native centipedes. Some of these crawlies get as big as a #2 pencil. It was a battle worthy of the cheesy, cinematic, fighting dinosaurs from one of my childhood favorites: The Lost World. It took an hour for the chameleon to down the whole wiggling mass with the yet-to-be-swallowed tail half of the whipping centipede rolling the little lizard this way and that for the first 10 minutes of the fight.

Tarantulas, given a bad rap by Hollywood, are spectacular, large spiders, harming no one. It is a real treat to see one lumber along, minding its own business, heading for its hole in the ground. I am told they make nice pets.

All is not the survival of the fittest, however. (I lie, because really it is, we just don’t see it.) The last couple years the kestrel population has grown from never seeing one to having several resident families. A peregrine pair has returned for the last few breeding seasons as well. I am waiting for one to dive on the non-native intruders nesting in the juniper near the koi pond: Eurasian Collared Doves. First arriving in the States in 1982 they have spread like wildfire over the lower 48, adapting particularly well to human-altered environments. Ours are in their second season of setting up housekeeping.

Is it little wonder that so many of my easily unnerved and queasy coastal, big-city friends marvel at the rough and tumble available simply by stepping out our door? The New West may now be loaded with Birkenstocks, vegans and anti-gun sentiment, but it rides alongside much Old West wildlife and the struggle for survival still.

Oh… I have to stop now. The grand yipping and howling of a nearby coyote pack bears closer investigation. Perhaps they have waylaid a jack rabbit for tonight’s appetizer. Gain and loss, joy-pain, win-lose: the motion of life & death goes on, with or without our noticing or a ‘by your leave’.

As for me, I try to be aware. A key: keep your eyes open. Alert ears help, too.

People mean different things by the word ‘Nature’: some personify Nature; for some, Nature is an impersonal symbol; for some, Nature is an active force; for others, Nature is passive being; for some, Nature means God; for others, not.  But whatever meaning we attach to the term, it is not true that Nature is cruel; and therefore it cannot be true that Nature sets a headline for man’s cruelty… . For nature does nothing idly, makes nothing bad or ugly….  — Arthur Aston Luce, Fishing and Thinking, London: Hodder and Stoughton; 1959.

Coda:      The investigation had to be cut short. Fierce, and uncomfortably close, lightning played in the sky. It might have been the 4th of July. Finally, about 10:00 p.m., after ninety minutes of light show, the sky broke open from the east and we had a real, honest-to-goodness monsoon. A downpour of biblical proportions. The first decent drenching in about a year. A year in which many of our 1200 trees have begun to die; about all the vegetation in the back forty bit the dust by early summer.

When the cold rain hit, mixed with a little hail, I felt like raising my arms skyward in Moses-like supplication, sinking to my knees, kissing the hard earth. If you don’t live in the drought-gripped southwest you might not understand. If you do, you’ll be nodding your head saying, “Amen.”

Greatest Hits & CTE

Chronic Traumatic Encephalopathy

Malcolm Gladwell continues to amaze and inspire. He spoke on CNN’s Fareed Zakaria GPS this morning about why college football should be eliminated. (He was also a panelist, teamed with Buzz Bissinger, in a very good debate on the TV program Intelligence Squared. Gladwell and Bissinger are opposed by former footballers Tim Green and Jason Whitlock for ‘the motion’ “Ban College Football”.) The gist of the argument is that players are at risk for Chronic Traumatic Encephalopathy (CTE), a brain injury resembling Alzheimers but more aggressive in its display.

I have written a bit about CTE in relation to Ernest Hemingway in my forthcoming book on wine. One now has to wonder whether CTE affected people like Paul Robeson, an All-American at Rutgers who also played a couple seasons professionally with teams in Akron, Ohio and Milwaukee, Wisconsin.

There will come a time, no doubt, when we will take a closer look at those seeking public office who were formerly involved in contact sports like football, hockey and boxing. Did they suffer any head trauma or concussions while engaged in these activities? Even soccer may have its affected players what with head butts to the ball and collisions between players.

Shattered by Dick Francis

Encounters with the Famous: Authorship as Collaboration

In 2000 I went to hear the mystery author Richard Stanley “Dick” Francis (1920-2010) read a selection from his just released book, Shattered. All of us in attendance were fortunate in that he was accompanied by one of his sons, Felix, and his wife Mary Margaret.

Francis, born in Wales, was a one-time jockey, including for horses of the Royal Family. Like most jockeys who ride for any length of time (it’s the most dangerous sporting profession), he suffered through many accidents and so turned to covering the horse racing circuit for a newspaper. After completing his autobiography he became a professional writer and published a book every year between 1962 and 2000, the year we met him for the first time.

(Dick Francis’ whole life was wrapped up in horses. His first horse related injury came when a pony fell on him when he was 12 years old. He volunteered for the English calvary in WWII, but instead ended as a sky jockey piloting bombers and fighters. Mary became a pilot, as well.)

When we met in 2000 Dick Francis said he thought he might retire. There was an audible groan in the room. Fortunately, he did published five more books after Shattered, four of them with his son Felix. I was surprised – but not. It is difficult to retire from something you, if not exactly love, do not loathe. What no one foresaw was that Mary would die shortly thereafter. And she was essential in his work.

Mary Margaret Francis was as important in the writing of Dick Francis’ novels, a co-equal, if you will, as Mr. Francis himself:

“Mary and I worked as a team. … I have often said that I would have been happy to have both our names on the cover. Mary’s family always called me Richard due to having another Dick in the family. I am Richard, Mary was Mary, and Dick Francis was the two of us together.”*

So why was Mary important in his writing? Along with editing the manuscripts she did all of the research for those interesting jobs in the books. Shattered features a glass blower, Reflex features a photographer, Rat Race revolved around an air-taxi service, Straight has a jewelry business theme. Mary investigated all these fields in-depth to lend veracity to the books. (Elmore Leonard, for instance, uses the same technique but has an employee do the research for his dialects, vocations, etc.)

Unusual, for me, in thinking ahead, in 2000 I thought to take along a wood horse, cut out of a board with a jigsaw, to the book reading. I planned to insert it into the lintel of a built-in book case where my signed Francis titles were kept. (I have since moved and took the horse and its mate with me!)

Dick Francis signature on my wood horse
Dick Francis signature on my wood horse

When the reading ended and people lined up to get their books signed I began talking to Mary about the world of art glass. She said she had found the research fascinating. Suddenly it occurred to me to ask her if she would sign my copy of Shattered. She was, after all, an enormous part of this, and many other Francis titles. She reddened in the face and tittered like a young schoolgirl, saying no one had ever asked her to sign one of the books. She then wondered aloud if she really should as she was not the author. I pointed out that she was responsible for the verisimilitude in the work and so she agreed.

All we had at hand was one of the short, stubby pencils the bookstore used for people to write their names on a pre-made form so Dick Francis would not have to ask whose name to sign the books to. (A great system for the hard-of-hearing and for those with names that are difficult to spell!) We used this nubbin of a scribe and Mary, in a shaky hand, added her name after her husband’s. She then made a joke about this copy being worth more now that it had a unique combination of autographs. Six months later she had a heart attack and passed away.

I cherish my unique copy still.

* Swanson, Jean; Dean James (2003). “An Interview with Dick Francis”. The Dick Francis Companion. New York: Berkeley Prime Crime. pp. 1–10.

Pop-Up Ideas: BBC Radio 4 has a new series. 1st up: Malcolm Gladwell on listening in Vietnam

“Listening is hard because the more you listen the more unsettling the world becomes”

4 Episodes
15 minutes each
First broadcast: Tuesday 09 July 2013

Tim Harford (the Financial Times‘ ‘Undercover Economist’ and presenter of Radio 4’s More or Less) has a new live-recorded, mini-series in Pop-Up Ideas, 15 minute programs exploring how prominent thinkers use “key ideas in anthropology and the social sciences to tell fascinating stories about how we – and the world – work.”

Program 1: New Yorker ‘Staff Writer’ Malcolm Gladwell describes how the U.S. war in Vietnam might have gone differently had the military listened to one of its own researchers, Konrad Kellen (family birth name Katzenellenbogen.) Kellen’s job was to debrief captured Vietcong guerrillas and describe their mind-set vis-à-vis the war. (Kellen’s life story is fabulous and fascinating.)

In one such debriefing he asked the captured senior officer if the officer believed the North Vietnamese could win the war. “No,” was the reply. Minutes later he asked if the Americans, then, would win the war? “No.”

This was interpreted by top U.S. Army brass as the answers of a demoralized enemy. Kellen, however, believed the answers were the responses of someone who did not think in terms of winning or losing at all — an entirely different view and one much more threatening to any eventual U.S. and South Vietnamese victory.

Listen to Gladwell’s interview here starting about minute time stamp 2:20.

The other programs (from the BBC Radio 4 website):

Program 2: One of the world’s most influential counter-insurgency experts, David Killcullen, whose ideas were described by the Washington Post as ‘revolutionizing military thinking throughout the West’, talks about how future instability will emanate from rapidly-growing coastal megacities.

Program 3: The financial journalist Gillian Tett describes how her background in anthropology led her to predict the financial crisis in 2008.

Program 4: Tim Harford explores the concept of ‘The Tragedy of the Commons’ – a term coined by the American ecologist Garrett Hardin in a hugely influential 1968 essay.

Malala Day at the United Nations

First Formal Public Remarks by the Pakistani Girl Shot by the Taliban

Malala Yousafzai gave a speech to the United Nations Youth Assembly yesterday morning. I would like to think of it as her western ‘coming out’ talk — hoping we will hear more from her in the future. (Although she is not a neophyte when it comes to presenting her views: she had a blog hosted by BBC Urdu when she was 11 years old, hand-writing her entries that were then transcribed and uploaded by a reporter.)

You may remember that she is the little Pakistani Pashtun girl shot (along with her friends) in the head and neck October 9, 2012 by the Taliban for saying that girls should have the right to go to school. As she stabilized, in critical condition, she was airlifted to England for rehab.

She is now 16 years old!

You can skip to time stamp 3:45 to get by the Introductions and Thank You comments.

The UN video

Clash of the A & A Titans

It was the Bezos of times, it was the …

Most folks involved in the retail and wholesale business of buying and selling books know of the head butting between Amazon and Apple in their e-book fight (via publishers as their proxy.) Could one ask for a more engaging contest?

In one corner stood a CEO whose mantra was ‘extract every last drop of financial value’, that is, always charge more for a non-open source product — customers should expect to pay extra for sleek design and better utility. In the other corner bounced a CEO whose shareholders steadfastly back him up on selling items below cost (to quote an old joke, perhaps they make it up on volume.) And the winner is……

The five publishers who were charged with colluding with Apple on e-book ‘price fixing’ settled with the U.S. Department of Justice some time ago. Apple, however, denied wrong-doing and said, “we’ll see you in court!” And so they have — and say they will again. Wednesday U.S. District Judge Denise Cote, Southern District of New York, ruled against Apple writing that they violated anti-trust law (Section 1 of the Sherman Antitrust Act, 15 U.S.C., 1 as well as various state’s laws) in a conspiracy with the five publishers. A trial for damages is now in the wings with Apple saying it will appeal the ruling.

Joining the feds in the June 3 − 20, 2013 bench trial (a non-jury proceeding) as plaintiffs were 33 U.S. states and territories. The five previously involved publishers were Hachette Book Group, Inc., HarperCollins Publishers LLC, Holtzbrinck Publishers LLC d/b/a Macmillan, Penguin Group (USA), Inc., and Simon & Schuster, Inc.

Aside from the non-disguised machinations between Apple and the publishers in working this collusion, the scheme failed from Steve Job’s hubris in thinking that readers would turn in droves toward his iBookstore and glitzy technology, all coming at an increased financial price for readers. And, indeed, prices for e-books did rise from an average of $9.99 to some as high as $14.99 — overnight. Why did Jobs believe he could succeed? He was using his music world revolution with iTunes as a model. Why did publishers join in? Because they were feeling the pressure from the 800 pound gorilla in the ring: Amazon.

Apple was attempting to institute a service where the publishers would set e-book prices (“agency pricing”) and their vendor, Apple, would take a 30% cut. In this scenario Apple would make money, always a Jobs requisite, but the publishers would actually make less money than they were making with their Amazon deal! (Amazon buys e-books wholesale from the publishers at, generally, $12 to $14 dollars and sells them at $9.99.)

How did this work and why were publishers willing to lose money they were currently earning per book? Let’s break it down.

Apple sells an e-book for $10. It keeps $3.00 and forwards $7 to the publisher (who, remember, has set the $10.00 retail price.) Amazon, using a “wholesale pricing” model, sells that same e-book for $10.00 and forwards, say, $12.00 to the publisher (who has set this as their wholesale price with the retailer selling the book for whatever price they wish.) In this real world scenario Apple has made $3.00 per book and Amazon, on that same book, has lost $2.00. Crazy, eh? Publishers made money on both sales, but more on the Amazon sale, $12 gross profit, than on the Apple sale, $7.00. Confused yet?

Publishers were willing to make less money in a deal with Apple to counter what they see as their ‘death by a thousand cuts’ from Amazon. Competition is at the heart of a healthy economic system. When it disappears quality, service, diversity — everything suffers. Although Amazon disavows the idea, everyone pretty much has figured out that the company would like to drive competition out of the arena. Imagine, as the physical book disappears one’s recourse is an e-book, sales of which have just surpassed the sales of (non-children’s) physical books for the first time. With its Kindle as king Amazon would be in a powerful position to dictate prices — and more. They already give away some public domain books for free and don’t charge for the bandwidth used by the Kindle service.

Kindle Direct is an Amazon program where authors can bypass the traditional publishers altogether. It doesn’t take a rocket scientist to see that publishers recognize the writing on the wall: their futures are in a precarious position. Physical book publishing is an expensive operation what with paper, shipping, returns, etc. E-books are cheap by comparison. But you have to be around, in business and have a distribution network to take advantage of this new-ish technology. A buffer, that is, a competitor, who could go toe-to-toe with Amazon was a desirable thing. So desirable that publishers were willing to take a momentary loss of revenue to prop up Apple as that competitor.

See U.S. District Judge Denise Cote’s ruling here.

SIDE NOTE: Stephen King, one of the first authors to have his books come out in e-book form, is releasing his latest book, a sequel to The Shining, as a physical book only, to help a small publisher.

The Master-Slave Relationship: More Kinship Than Cruelty?

The Paula Deen Implosion

I have mostly ignored the Paula Deen implosion. But a friend recently sent an email asking if I had seen her appearance at NY City’s October 2012 Wine & Food Festival. While there she gave a videotaped interview with The New York Times Atlanta Bureau Chief and, months before her recent trials and tribulations, it would not have been too difficult to see the mindset that would eventually get her into trouble.

Deen goes into some of her family history with a story of how her great-grandfather “was devastated” after the Civil War. He had lost his son and the war and “didn’t know how to deal with life, with no one to help operate his plantation. You know there was 30 something [35, actually] people on his books” [euphemism for “slaves owned] and then the next year zero. He committed suicide. She goes on to say, “I feel like the south is almost less prejudiced because black folks played such an integral part in our lives, they were like our family.”

(Presumably she was not thinking of dysfunctional families like the one in Cleveland where Ariel Castro is alleged to have kept three women and his child by one of them in captivity, often chained.)

The real highlight and moment of revelation that told me Cholesterol Queen* Deen is largely clueless, like many of her peers, was when she called one of her black employees Hollis Johnson, up to the stage. “He’s black as that board” she said, pointing to the stage backdrop, adding “Come out here Hollis, we can’t see you standing against that dark board!” The audience began to laugh and Hollis came up on stage as Deen talked about him, “This is my son by another father.” He bent over and gave her a peck on the cheek as he departed.

The whole scene was one of those encounters where you feel mightily embarrassed for all the people on stage. Deen, apparently, has no clue to how 21st century race relations ought to be conducted. It was similar to being at a dinner party where someone begins telling racial or ethnic jokes in a mixed-race crowd. It just isn’t done. Period.

See the lengthy New York Times event video here. Go to minute time stamp 40:09 for a look at her learning about her great, great-grandfather’s slave ownership. For her interaction with Hollis Johnson see time stamp 46:07 — 50:07.

*To be fair Paula Deen says she does not advocate eating, on a daily basis, the style of food she has become known for.

U.S. House Committee Hearings on Copyright Law

Where are the writers on the U.S. House of Reps hand-picked Copyright Principals Project?

On May 16th the House Judiciary Committee, Subcommittee on Courts, Intellectual Property, and the Internet held their first hearing on reform of the 1976 U.S. copyright law. The 5-member panel known as the Copyright Principals Project were the only witnesses. The five members are lawyers, professors and a Microsoft entry, all important voices, of course, but I will be following to see if other speakers are scheduled in the coming months.